No. 3(19) (2017)

DOI: https://doi.org/10.28925/2311-259X.2017(3)

Published: 30.10.2017

Literary history as a structure

“WHO HAS EVER DECEIVED THE MOSKAL?”: THE POEM OF “THE AENEID” BY I. KOTLIAREVSKYI IN THE CONTEXT OF THE PICARESQUE LITERATURE

Denys Chyk, Olga Chyk

1–13
Abstract views: 948 | PDF Downloads: 1942
DOI: https://doi.org/10.28925/2311-259X.2017(3)843
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YEVHEN HUTSALO'S CREATIVITY: AESTHETIC PRINCIPLES

Olha Bulbachynska

14–18
Abstract views: 506 | PDF Downloads: 3362
DOI: https://doi.org/10.28925/2311-259X.2017(3)146
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THEATRICAL INTERPRETATION OF THE STORY “KAIDASH’S FAMILY” (“KAIDASHEVA SIMIA”): THE VISUAL ASPECT

Yaroslava Muravetska

19–27
Abstract views: 1353 | PDF Downloads: 4076
DOI: https://doi.org/10.28925/2311-259X.2017(3)719
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THE PROBLEMATICS OF MEMORY IN CONTEMPORARY POLISH LITERARY REPORTAGE (AS EXEMPLIFIED BY WITOLD SZABŁOWSKI’S “RIFLES AND CHERRIES”)

Olena Sheremet

28–38
Abstract views: 517 | PDF Downloads: 661
DOI: https://doi.org/10.28925/2311-259X.2017(3)122
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Media and virtual reality

REPRODUCTION OF EXPRESSIVENESS OF IMAGE-BEARING EXPRESSIONS TRANSLATING TEXTS OF POLITICAL DISCOURSE

Serhiy Morkotun

39–47
Abstract views: 640 | PDF Downloads: 2322
DOI: https://doi.org/10.28925/2311-259X.2017(3)544
- PDF (Українська)