Military burial ceremony
Ethical nominations of sensitive visual content in the media
DOI:
https://doi.org/10.28925/2311-259x.2024.4.10Keywords:
media, journalism, photography, ethics, ethical principles, sensitive content, visual content, Russia-Ukraine war, military, burial, military funeralAbstract
The relevance of this research is underscored by the importance of studying sensitive visual content in the media and understanding how it is covered in journalism. This article aims to identify and analyze negative trends in the ethical handling of sensitive content, specifically regarding the photographic representation of farewell ceremonies for Ukrainian soldiers. The subject of the research is the ethical aspects of visual content in Ukrainian media. The analysis focuses on the importance of context, the possibility of documenting events through photography and its inherent subjectivity, the emotional weight a photograph carries, its impact on the viewer, the recording of human rights violations, and the ethical issues surrounding the coverage of farewell ceremonies for fallen soldiers. The research employs general scientific methods and techniques, including empirical and systematic analysis as well as analytical, comparative, and descriptive methods.
The results of the study. The ethical principles of journalism have always been relevant. However, with the onset of the war in 2014 and the full-scale invasion of Ukraine by the Russian Federation in February 2022, these issues have become even more significant and have gained new meaning. To date, there is no comprehensive research in Ukraine addressing the ethical principles of journalism concerning the publication of visual materials concerning war victims. The ethical standards for publishing images of military funerals of those who died as a result of Russian aggression remain ambiguous. This topic requires serious reflection in today’s media environment, where sensitive content is frequently aired. It is crucial to explore and define the boundary between the necessity of using photographs to substantiate war crime evidence and the ethics of disseminating emotionally charged images in their original form.
It has been noted that the media often do not take into account the potential impact of photos from the funerals of fallen soldiers on their audience. Some viewers may prefer not to see close-up images of soldiers in coffins. The research suggests that retouching such photos (e.g., blurring the face) would be a professional approach, as the depiction of farewell ceremonies can significantly affect the grieving process of the deceased’s relatives and loved ones. Thus, media images of military funerals should be presented to encourage thoughtful consideration rather than incidental shock or distress.
Downloads
References
Azoulay, A. A. (2019). Potential history: Unlearning imperialism. Verso.
Balzert, S. P. (2013). Leichen auf Seite Eins? Gewaltfotos und Bildethik: deutsche und spanische Qualitätszeitungen im Vergleich. AV Akademikerverlag.
Bataieva, K. (2017). Sotsialna vizualistyka i media-vizualnist [Social visuals and media visuality]. Kondor.
Buket, Ye. (2024, May 11). Na shchyti: pravyla pokhovannia i pomynannia polehlykh viiskovosluzhbovtsiv [On the shield: Rules for burying and commemorating fallen soldiers]. АрміяInform. https://armyinform.com.ua/2024/05/11/na-shhyti-pravyla-pohovannya-i-pomynannya-poleglyh-vijskovosluzhbovcziv
Chervynchuk, A. (2021). Kryminalna problematyka u ZMI: Konspekt lektsii dlia studentiv spetsialnosti 061 “Zhurnalistyka” [Criminal issues in the media: Lecture notes for students of specialty 061 “Journalism”].
Commission on Journalism Ethics. (2024, April 30). Pravyla vysvitlennia proshchan iz zahyblymy voinamy [Rules for covering farewells to fallen soldiers]. https://cje.org.ua/news/pravyla-vysvitlennia-proshchan-iz-zahyblymy-voinamy
Detector media. (2021, February 17). “MediaChek”: “Zhurnal Zhytomyra” porushyv Kodeks etyky, opublikuvavshy foto povishenoho [“MediaCheck”: “Journal of Zhytomyr” violated the code of ethics by publishing a photo of a hanged person]. https://detector.media/community/article/184945/2021-02-17-mediachek-zhurnal-zhytomyra-porushyv-kodeks-etyky-opublikuvavshy-foto-povishenogo/
Dmytriuk, V. (2019). Fotofolklorni aspekty modernykh obriadiv perekhodu: vid pryvatnykh do publichnykh praktyk. Na materialakh Odeshchyny [Photo-folklor aspects of modern rites de passage: from private to public practices based on materials from Odessa region]. Narodoznavchi zoshyty, 5, 1274–1285. https://doi.org/10.15407/nz2019.05.1274
Doletskiy, V. (2009). Pravo na pamiat yak chastyna zmistu prava na zhyttia: postanovka problemy [Right on memory as part of maintenance of right on life: problem statement]. Forum prava, 3, 227–232.
Filipova, H. (2021). Foto post mortem. Mizh pamiattiu ta vyhadkoiu [Post mortem photography: Between memory and fiction]. Babai. https://babai.co.ua/articles/foto-post-mortem-mizh-pam-yattyu-ta-vigadkoyu
Hanusch, F. (2013). Sensationalizing death? Graphic disaster images in the tabloid and broadsheet press. European Journal of Communication, 28(5), 497–513. https://doi.org/10.1177/0267323113491349
Hlushko, A. (2017). Vizualizatsiia zbroinoho konfliktu v ukrainskykh merezhevykh ZMK yak faktor mediatravmy [Visualization of armed conflict in Ukrainian online media as a factor of media trauma]. In Yu. Chaplinska (Ed.), Mediatravma v umovakh informatsiinoi viiny: psykholohichnyi ta pedahohichnyi aspekty. http://mediaosvita.org.ua/book/glushko-a-v-vizualizatsiya-zbrojnogo-konfliktu-v-ukrayinskyh-merezhevyh-zmk-yak-faktor-mediatravmy
Ilkiv, Ya. (2023, September 13). “Pokhorony voiniv vazhlyvi ne lyshe dlia yikhnikh rodyn”. Shcho varto znaty pro tradytsii proshchannia iz zahyblymy [“Funerals of Soldiers are important not only for their families”. What You should know about traditions of honoring the fallen]. Platforma pamiati Memorial. https://tinyurl.com/yrx9wv33
Jackson, A. (2021, November 10). The history of postmortem photography — JSTOR Daily. JSTOR Daily. https://daily.jstor.org/the-history-of-postmortem-photography
Kuzmenko, L., Kushch, L., Dvorovyi, M., & Pohorelov, O. (Eds.). (2022). Samorehuliatsiia ukrainskykh media pid chas dii voiennoho stanu v Ukraini. Z dosvidu roboty Komisii z zhurnalistskoi etyky: Analitychno-dovidkovyi zbirnyk [Self-regulation of Ukrainian media during martial law in Ukraine. From the work experience of the Commission on journalistic ethics: Analytical and reference collection]. Komisiia z zhurnalistskoi etyky.
Lysenko, L. (2023). Kryza etyky vizualnoi reprezentatsii viiny (vymir fotohrafii) [The ethics’ crisis of visual representation of war (the photography’s dimension)]. Obraz, 3, 37–46 https://doi.org/10.21272/Obraz.2023.3(43)-37-46
Malai, K. (2021, December 1). Navishcho v SRSR fotohrafuvaly pokhoron. Istoriia dyvnoho zvychaiu [Why funerals were photographed in the USSR: The story of a strange custom]. OBOZ.UA. https://news.obozrevatel.com/ukr/show/people/navischo-v-srsr-fotografuvali-pohoron-istoriya-divnogo-zvichayu.htm
Melnyk, V. (2023, March 16). Voienna etyka: novyi vyklyk. Yak viina zminyla nashe spryiniattia «tiazhkykh» foto ta chy normalno tse [War ethics: a new challenge. How the war has changed our perception of «disturbing» photos and whether it's normal]. Vikna. https://vikna.tv/dlia-tebe/vijna-v-ukrayini/shho-take-voyenna-etyka-ta-chy-mozhna-fotografuvaty-gore-poyasnennya
Melnyk, V. (2024, September 9). (Ne) publikui foto zahyblykh ditei: de fiksatsiia zlochynu perekhodyt mezhi etyky. [(Do not) publish photos of deceased children: where crime documentation crosses the boundaries of ethics]. Vikna. https://vikna.tv/dlia-tebe/vijna-v-ukrayini/chy-mozhna-publikuvaty-foto-zagyblyh-vidpovid-otara-dovzhenka
Morcate, M. (2012). Duelo y fotografía post-mortem. Contradicciones de una práctica vigente en el siglo XXI. Sans Soleil, 4, 168–181.
Morse, T. (2013). Covering the Dead: Death images in Israeli newspapers — ethics and praxis. Journalism Studies, 15(1), 98–113. https://doi.org/10.1080/1461670X.2013.783295
Pro vnesennia zmin do Zakonu Ukrainy “Pro Statut harnizonnoi ta vartovoi sluzhb Zbroinykh Syl Ukrainy” shchodo viiskovoho pokhovalnoho rytualu [On amending the Law of Ukraine “On the Charter of garrison and guard services of the Armed Forces of Ukraine” regarding the military funeral ritual], Law of Ukraine #1622-IX (2021). https://zakon.rada.gov.ua/laws/show/1622-20#Text
Silva, M. F. S., & Eldridge II, S. A. (2020). The Ethics of Photojournalism in the Digital Age. Routledge.
Stanley, L. & Wise, S. (2011). The domestication of death: The sequestration thesis and domestic figuration. Sociology, 45(6), 947–962. https://doi.org/10.1177/0038038511416153
Tsyvilnyi kodeks Ukrainy [Civil Code of Ukraine]. Code of Ukraine #435-IV (2024). https://zakon.rada.gov.ua/laws/show/435-15#Text
Vorobiov, Ye., Hrynyshak, M., & Burmahin, O. (2022, December 20). Bez zaivykh kadriv: yurydychni aspekty foto- ta videoziomky [Without extra shots: Legal aspects of photo and video recording]. Platforma prav liudyny. https://ppl.org.ua/bez-zajvix-kadriv-yuridichni-aspekti-foto-ta-videozjomki.html
West, N. M. (1996). Camera fiends: Early photography, death, and the supernatural. The Centennial Review, 40(1), 170–206. https://www.jstor.org/stable/23740730
Women in Media. (2024, June 27). “Zhinky v media” doluchylys do rozrobky rekomendatsii KZhE shchodo vysvitlennia pokhovan ukrainskykh viiskovykh [“Women in Media” contributed to the development of recommendations by the Commission on Journalism Ethics regarding coverage of the burials of ukrainian soldiers]. https://wim.org.ua/materials/cje-recommendation
Zelizer, B. (2007). On “having been there”: “Eyewitnessing” as a journalistic key word. Critical Studies in Media Communication, 24(5), 408–428. https://doi.org/10.1080/07393180701694614
Zubova, A. (2023, December 20). Tseremoniia proshchannia z zahyblymy viiskovymy u Kropyvnytskomu: dyskusii ta propozytsii [Military burial ceremony in Kropyvnytskyi: discussions and decisions]. Media Literacy in Ukraine's Regions. https://milukraine.net/2023/12/czeremoniya-proshhannya-z-zagyblymy-vijskovymy-u-kropyvnyczkomu-dyskusiyi-ta-propozycziyi
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Ольга Пелешок
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).