Vol. 26 No. 3 (2020)

DOI: https://doi.org/10.28925/2311-259x.2020.3

Published: 31.10.2020

Literary history as a structure

Tragic fool of French literature as a topos of identity (from Victor Hugo and Paul Verlaine artistic experience)

Oksana Halchuk

73–83
Abstract views: 310 | PDF Downloads: 269
DOI: https://doi.org/10.28925/2311-259x.2020.3.1
- pdf (Українська)
The narrative of translocation as a way to construe the protagonist's horizon of consciousness (The novel “Boarding House” by S. Zhadan)

Tetiana Meizerska

84–89
Abstract views: 305 | PDF Downloads: 282
DOI: https://doi.org/10.28925/2311-259x.2020.3.2
- pdf (Українська)

Media and virtual reality

Ukrainian prisoners’ of war worldview formation through printed word: national-educational mission of the magazine “Educational Leaflet” at Wetzlar Camp, Germany (1916)

Ihor Sribniak, Viktor Schneider

90–97
Abstract views: 236 | PDF Downloads: 185
DOI: https://doi.org/10.28925/2311-259x.2020.3.3
- pdf (Українська)
Feminism and communism: specifics of interaction in the western Ukrainian media discourse of the 1920s – 1930s

Olha Khamedova

98–107
Abstract views: 421 | PDF Downloads: 230
DOI: https://doi.org/10.28925/2311-259x.2020.3.4
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Typology of metaphors in popular science media discourse (based on National Geographic resources)

Yuriy Velykoroda, Marta Vasylyshyn

108–117
Abstract views: 1026 | PDF Downloads: 880
DOI: https://doi.org/10.28925/2311-259x.2020.3.5
- pdf (Українська)