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Vol. 28 No. 3 (2022)
Vol. 28 No. 3 (2022)
DOI:
https://doi.org/10.28925/2311-259x.2022.3
Published:
31.10.2022
Full Issue
pdf (Українська)
Literary history as a structure
Silence and speaking as forms of representation of the historical trauma in the Ukrainian prose of the Independence period
Tetiana Grebeniuk
104–112
Abstract views: 654 | PDF Downloads: 285
DOI:
https://doi.org/10.28925/2311-259x.2022.3.1
pdf (Українська)
Ukrainian philosophical prose: objectum fictum or literary reality?
Taras Holovan
113–118
Abstract views: 207 | PDF Downloads: 139
DOI:
https://doi.org/10.28925/2311-259x.2022.3.2
pdf (Українська)
Literature in the meta dimensions
(based on the essays of Hryhoriy Shton)
Tetiana Virchenko
119–124
Abstract views: 141 | PDF Downloads: 91
DOI:
https://doi.org/10.28925/2311-259x.2022.3.3
pdf (Українська)
Practices of literary text interpretation
The problems of the leader, national treason and the readiness of the people to fight for their freedom in the fairy-tales by Ivan Lypa
Volodymyr Danylenko
125–130
Abstract views: 113 | PDF Downloads: 121
DOI:
https://doi.org/10.28925/2311-259x.2022.3.4
pdf (Українська)
Features of animalistic codes of the prose of Edgar Allan Poe
Oksana Halchuk
131–139
Abstract views: 269 | PDF Downloads: 152
DOI:
https://doi.org/10.28925/2311-259x.2022.3.5
pdf (Українська)
Biography Studies and Textology
Sources of Shevchenko’s acquaintance with Japanese culture
(a comment on several diary entries)
Oleksandr Boron
140–145
Abstract views: 120 | PDF Downloads: 108
DOI:
https://doi.org/10.28925/2311-259x.2022.3.6
pdf (Українська)
Media and virtual reality
Models of stereotypizaton of national characteristics, gender roles and behavioral scenarios in series
(on the example of the polish series “The Girls from Lviv” and “The Londoners”)
Olena Rosinska
146–155
Abstract views: 226 | PDF Downloads: 91
DOI:
https://doi.org/10.28925/2311-259x.2022.3.7
pdf
Treemap as a type of data visualization in the media
Anna Lichenko
156–163
Abstract views: 186 | PDF Downloads: 233
DOI:
https://doi.org/10.28925/2311-259x.2022.3.8
pdf (Українська)
Symbolic nature, cultural codes and media functionality of “The Russian warship” meme
Part one
Oksana Zhuravska
164–174
Abstract views: 323 | PDF Downloads: 143
DOI:
https://doi.org/10.28925/2311-259x.2022.3.9
pdf
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